Friday, February 03, 2017

A Carousal of Color

It's been so long since I've written anything here that I can't remember if this has ever come up. I am, also, disinclined to go spelunking into the deep recesses of the blog to find out.  In fact, it's been so long since I've posted that I had to write this entry out longhand on paper. (Shut up. I'm old. I know how to write cursive and I'm allowed.)

I should also probably note that, for all this purports to be a knitting blog, this post is not about knitting. It does have lots of yarn though.

The problem is color. I'm not good at it.  I love it, but I am not good at it.  In my head it's one thing. Then I am confronted by reality and it's something else again (the Barney shawl comes to mind).   For reasons of it's own, reality never conforms to my imagination so I usually play it safe:  reds, blues, neutrals, maybe a quiet or dark green. Yet here I've gone and committed to a Circle of Friends Afghan, inspired by the exuberantly colored ones I've found on Ravelry and Pinterest.

I should probably note here (full disclosure and all that) that I have a lot of yarn.  When I start on something as big as an afghan, I feel compelled to at least try and shop the stash.  That way I can feel all virtuous and economical about what I'm making.  Factor in that an afghan made for someone other than me has to be washable.  Given my aversion to acrylic yarn, that means super wash wool.

My choices for non-variegated, non-indie-dyed, or non-self-striping superwash were surprisingly limited.  I didn't have any; the Princess only had some. Dumping out her collection yielded lots of grey and light blue, a fair bit of dark blue, a couple skeins each of green and orangish-brown and one of bright yellow. Not what I would call a happy combination.  Also, not enough yarn. 

Back to our story.  I went shopping.  Looking at what I had in the context of what I needed, I decided on the grey, as the most neutral, for the background. That left me with five colors for the squares - an awfully limited palette. I further decided I needed eight colors (mostly based on the advice from this blogger's post).  I then decided (so much decision here!) I needed contrast and balance.  I had three cool colors and two warm ones.  I went looking for one additional blue-to-green and two reds (since I had a yellow and an orange).  So far so good.  In theory, it all should work out. When the new yarn came and I piled the all the skeins up, I thought they played well together.  

Then came the hard part.  Individually, I'm not sure that some of the skeins play together at all.  In fact, I'm pretty sure they fight.  I begin to fear that the best I can hope for is detente but that what I am most likely to get is a sort of grudging surliness.  

Determined not to let my yarn defeat me, I decided to make a truly unappealing square.  Behold. 

The yellow turns the fresh green nasty.  The dark blue is too strong a contrast to the yellow.  The light blue looks wishy-washy and words fail me when I consider the juxtaposition of the orangish-brown and the purple. Yet, if this is the ugliest I can achieve -- and I confess I find a certain appeal in its very lack of appeal -- I begin to think I might pull this off after all. 

I've lived with the square for a few days now. I will be unraveling it in due course, not because of the infelicitous color combination, but because I've since made a design decision.  The navy and orange sections are actually made up of two rounds each.  The first is single crochet with chain stitch spaces, then double crochet worked into the spaces on the following round.  I'm going to change that foundation row (the single crochet and chain one) to a contrast color, picking up the yarn from one remove.  So, the green repeated after the yellow and the dark blue after the light blue.

I did have the good sense to make up a sample using this scheme before I undid the original square.  I think I'm on to something here. 

For the record, and lest I forget:

Pattern - Circle of Friends Square by Priscilla's Crochet, designer Priscilla Hewitt.

Yarn - Cascade 220 Superwash in 874 Ridge Rock (the grey), 1910Summer Sky Heather, 856 Aporto (the darkest blue), 882 Plum Crazy, 821 Daffodil, 208 Treetop (the green),  212 Picante (the orangish brown), 210 Deep Ocean (the mid blue),  and 879 Very Berry.

Hook - I/9-5.50 mm.

Friday, January 29, 2016

Because Knitting With US 11 DPNs is Such Fun

No, I haven't figured out what to do about the thumb yet. I've decided I deserve a break instead. Any sane person would opt for something the polar opposite of stockinette in the round (aka knit every stitch) with big yarn on big needles. A nice fingering weight shawl perhaps. Or a sweater.

But, you say, it's been so much fun knitting with bulky yarn or its equivalent on big fat needles.

Well. I never claimed to be a sane knitter. As a break from Lamb's Pride Bulky stockinette (aka knit every stitch) in the round on big fat needles, I have -

Kitty Pi. The second one actually. Knitting stockinette (aka knit every stitch) in the round with Cascade 220 doubled on - yes ma'am - big fat needles. Truly deeply boring. More boring than repeatedly knitting thumbs on Sasquatch mitts and ripping them out.

Just in case the monotony of that starts me fantasizing about using big fat DPNs for kindling, I also have a Garter Squish Blanket going (have I mentioned this one, I think I may have). 

It is garter stitch (hence the name, yes?) knit flat (again, aka knit every stitch) with Cascade 220 doubled on big fat needles. Addi turbo circulars here rather than dpns, but you say tomato, I say big red fruit that grows on a vine.

I may need to rethink my idea of alternate knitting.

Thursday, January 28, 2016

All Thumbs

Way back when, in my first Stitches Midwest class, I made an oven mitt. Once I got home, I made a second one. Made of Lamb's Pride Bulky and knit on huge needles, they started out looking like something for the giant in Jack and the Beanstalk, but after a couple of hot water washes zipped in pillow protectors, they felted down to a reasonable size.  They have been in constant use since then, the best oven mitts I have ever had. I am so enamored of them, that when a dear niece got married last spring, I made a pair for her.  It is time and past time to replace the original pair.  That, and I want  a pair in red and one in green for Christmas baking, since that store-bought (hey, I wasn't knitting back then) pair, the ones that only come out for a couple weeks each year, are also dying.

Just one problem.  I've lost the pattern. Twice. We got the original as a handout for the class. I lost it.  Early in 2013 I contacted the designer and bought a second copy.  Lost that one too (apparently the pattern never made it to a downloadable version, otherwise I would have the pattern on my computer).  When it came time to make the pair for the niece, I fudged from three other patterns I found on Ravelry (this one, this one, and this one) and the photos I had posted on the blog of the original pair.  They didn't any of them quite sync, but I took notes.

Just not, apparently, very good ones. So here I am, trying to recreate the pattern, because when I consider that I paid for it once as part of the cost of the class, and again (the designer charged $10) for the replacement hard copy, I feel I've paid enough.  Besides, somewhere along the line, I acquired a hard-copy of the same designer's pattern for felted mittens. I'd feel like an idiot contacting her again. 

I've got a picture of the cast-on, it's clearly 36 stitches. I've got pictures of the mitts before they were felted. I'm pretty sure I've got the right number of rows for the body of the mitt.  It's the thumb that I can't seem to get right.  It looks like I might have 13 stitches held from the thumb gusset.  But it might be 11. The mitten pattern says to pick up 7 stitches and then decrease by 4 until 4 stitches remain.  11 = 7 =18, not a multiple of 4.  I tried decreasing 2 and then by 4 until 4 remained. The thumb looked like a flattened ping-pong ball -  too short and too round.

You'll have to take my word.  I'm so out of touch with blogging that I forgot to document that screw-up. Just the carnage after.  

So I figured I'd try 13, since 13 + 7 = 20. That's divisible by 4.  Ripped back. Re-knit. Closer, but the thumb still  looks a little short and too wide, at least when I compare it to the original photo. 


I figure the next step is to pick up just from the 3 stitches I cast on to bridge the gap over the thumb gusset and hope that I don't end up with huge gaps between the saved stitches and the picked up ones.  Or maybe I need to cast on the 7 stitches and then K2tog at the joins.  Or I could split the baby and cast on 5 stitches and see what happens. No matter what, I think I have to knit even for more than 6 rows (another direction grabbed from the plain mitten pattern).

I am keeping better notes and by the time I've knit six of these I hope I'll have worked out the kinks. Until then, I guess I'll go back and rip out the thumb again.

Thursday, December 31, 2015


I can see the future.

I foresee a Kitty Pi Bed in mine.

Saturday, December 26, 2015


I can't believe I did it.  Fell into the over-ambitious knitting for Christmas trap.   

It started out almost reasonably.  Having succeeded in NAtional KNIt a SWEater MOnth - not only participating but actually finishing a sweater (more about that later, to make up for not posting at all in November) - I decided I could make a sizable dent in the stash by knitting the sweater for the brother who asked for one back when I knit the Seamless Yoke Sweater for the Lord Protector. That would be the sweater that started in 2007 and finished in 2008.  

I was so flattered I went looking for yarn right away (the stash was much smaller seven years ago).  Seven years is a long time to hold onto a yarn.  So long that Rowan had discontinued it.  I bought lots of it, though, thinking about what a tall man he is. Scottish Tweed Aran  is (was?) a really heavy worsted, maybe even a heavy aran. Either way, I figured 1) heavy yarn means big needles equals fast knitting; 2) it's commercial yarn, not indie-spun or indie-dyed so no pooling or mis-matched skeins; 3) I knit a big honking sweater in less than a month, and would have done it in two weeks if I hadn't done the indie-dyer thing; 4) I had a month to Christmas, so I wasn't planning unrealistically; 5) the Lord Protecor had strict instructions to bring his sweater home from college, so I would have a template, as long as the new sweater matched the old sweater in size, I was golden.

It all went so wrong.  I may never trust Elizabeth Zimmermann again.  Admitedly, I went for the raglan rather than the shirt-yoke variation, but I still maintain the yoke should have come out the same size.  It didn't.

While I was living in happy delusion, I got an email that Their Father's goddaughter had found a tree-skirt. It's crochet, but I know how to do that. 

"Well," I thought, "crochet is fast and I still have weeks before Christmas." I figured I could finish both projects. It might be tight, but not irrational.  Besides the pattern is free.  Yes, it calls for acrylic yarn, but all the local big-box craft stores carry the product.  Except two of the colors had been discontinued and it turns out you have to get up pretty early - like October - if you want Christmas color yarn around here.  Okay, fine. I didn't really want to knit it in acrylic anyway. No problem. I have Rowan Pure Wool Worsted in almost every color I need and I can get the rest semi-locally.  The pattern calls for 316 yarn skeins.  The Pure Wool Worsted comes in 209 yard skeins. If I got 2 of the Rowan per each skein of acrylic, I'd have a generous plenty.

How then, when I should have had 100 yards left over, did I run out of the dark red three repeats from the end of the third to last row?

I should add.  When one is crocheting a circle, each round gets progressively longer. Ergo, therefore and Q.E.D. each round will take more time.  Factor in having to rip out the third to the last round (which, by the way used the most-yarn- and time- guzzling stitches I have ever some across), because of that yarn shortfall and perhaps you'll understand why the embroidery didn't happen.

You would think that between a sweater and a tree skirt I would have said enough.  Not so.  I decided I had to knit a scarf.  While powering away (as I thought) on the sweater, I realized I had never knit anything for one of my brothers. Admittedly, looking back, I think I got the idea for the scarf before I got the request for the tree skirt, but maybe not.  I do sometimes get chronologically challenged that way.  Anyway, once I had the idea the result was inevitable.  Not just that I would commence knitting a scarf but that I would fail to finish it.  I just didn't know about the inevitable failure bit until two days before Christmas and I still refused to admit it right up to the  point where I had to wrap the unfinished scarf still on the needles with it's ball of yarn still attached because I had no back-up gift.

Well. I certainly have a good start on next year's Christmas crisis presents.

Friday, October 30, 2015

I'm Ready

A couple days ago, Janet Avila of String Theory Yarn Co. sent off an email reminding knitters that November is NAtional KNIt a SWEater in a MOnth month. I've been all about sweaters lately, and I've decided it's time to run with the herd. Since the email came, I have spent ages trying to find the perfect yarn, hoping I could persuade myself into breaking the yarn budget on a really over-the-top sweater. Nothing sang to me. I faced the fact that I'm not really the over-the-top type. Then I realized that I could continue my slide down the Heidi Kirrmaier slope, and that if I did, I already I have the perfect yarn for the perfect pattern.

Way back when, in a fit of greed, I ordered a lot of (the now discontinued) Miss Babs Northumbria Aran.  At the time I only admitted to a box full. I'm still not coming clean, but suffice to say, I will have enough to knit a sweater for me and still have more than adequate yarn to complete the shawl (If the spirit should ever so move me. It should be noted that that photograph in that post, taken back in February 2012, is still an accurate depiction of my progress).

My current most favorite cardigan, beating out the fingering weight Vitamin D in the preceding post, is Heidi Kirrmaier's Fine Sand.  I have two finished and another one started.  That's news for another post or two.  I foresee Sweater V2.0 and V2.1 or something along those lines. Anyway. Fine Sand is a sport/DK/22 stitches-per-inch pattern.  Up until yesterday, I thought all my sweaters would be made from fingering to DK yarns.

Yesterday, the boiler failed.  Well, possibly the night before.  Not a quick fix either.  Something was leaking and needed to be replaced.  Even though the temperature here was in the 40's, it was cold enough inside to remind me why heavier sweaters and Chicago winters are like tea and cakes, needle and thread, milk and cookies. Aran weight yarn won't work for Fine Sand.  It will, though, for the companion cardigan - Quick Sand.

Not only that, it will give me a chance to try out my new Indian Lakes Artisans Made in Michigan Right Here in the USA hexagon shaped circulars (They came back to Stitches Midwest this year).

I'm winding and swatching and come Sunday, I'm casting on.

Monday, October 26, 2015

Sweater v1.0

I am trying to be inspired here.  If Kay and Ann can come back to blogging, surely there is hope for the patient, right?  And don't I want to keep said patient alive? Of course I do.  All of which makes the fact that I have knit three sweaters in the past six months and started two more and never mentioned a one of them in the blog, nothing short of reprehensible.

It started when I decided what I needed more than anything else in the world was a silk-blend sweater to wear to a spring wedding.  A careful examination on Ravelry led me to Heidi Kirrmaier and the Vitamin D Cardigan.  As an added benefit, I already had the pattern. I had bought it back in 2012. 

I spent I don't know how many mornings paging through the projects on Ravelry (there are a lot).  I did notice (probably around page 53 and/or Day 4) that the sweaters I liked best were knit with sock yarn, rather than the sport weight the pattern called for.  A thorough examination of the stash turned up nothing suitable. A great sale on Craftsy for Cascade Heritage Silk determined the yarn choice.  Too bad the color I wanted was out of stock.  Still, one must give credit where credit is due, and it was there that I decided the sweater would be knit in Heritage Silk or not at all.  I ended up with Cerulean  from the good folk at The Loopy Ewe (Good heavens. I checked. I ordered the yarn in March. I note that the Blog has absolutely no mention of yarn buying in March. Well, at least now I have a record of when the project started). 

In an astonishing exercise in discipline, I swatched. Even more astonishing, I got gauge (24 stitches and 32 rows/4 inches (US 6's). Most astonishing, I finished in time for the wedding. I knit like the wind, no mean feat for the world's slowest knitter.  The yarn was lovely to work with and the pattern one of the clearest and best written ones I have come across.  It made me a Heidi Kirrmaier fan for life.  And while I didn't wear the sweater to the wedding (too casual for formal wear, even with the beads I added to the cuffs and hem),

and am now regretting the beaded cast-off (too dressy for ordinary wear),  it ranks right up there with the three most favorite sweaters I ever knit. I did at least have it to wear at Stitches.

I will probably, someday,  remove the beads. 

 If only I didn't have to frog the front-and-neck trim so I can get them off the bottom hem.

Pattern: Heidi Kirrmaier's Vitamin D.
Yarn: Cascade Yarns Heritage Silk in Cerulean.
Needles: Addi US 6/ 4.0 mm for body, US 5/3.75 mm for the garter stitch trim at cuffs, hem and front and neck.

Monday, August 17, 2015


I can't explain why I keep failing to buy anything from Miss Babs in Vlad's, but it happened again this year.  There's history here.

The first year that Miss Babs came to Stitches Midwest I saw a worsted weight Blue-faced Leicester yarn called Northumbria Aran in a color called Vlad's (Yes, as in Vlad Dracula.  It must have been the first of the big vampire-craze years).  It wasn't eye-searing or stop sign-ish, or washed-out or anemic. Put simply, it was, I thought, the best red I had ever seen.  I was determined, before that Market closed on the last day, I was going to get that yarn. Except I didn't. I got cold feet, or pre-emptive assumptive buyer's remorse, or something.

I regretted it for a whole year.  The next time Miss Babs came to Stitches, I went into the Market with the rock-hard determination that I would get me sweater quantities of that yarn. Except I didn't, again. That might have been the year someone got there ahead of me.  Yarn delayed is yarn denied, so I came up with a clever plan. I would order it from the website. I ordered Navy instead.  It's a wonderful yarn and a beautiful shade of blue.  Admittedly I haven't knit anything out of it yet.

Back to Stitches the following year.  I had given up the plan to buy vast quantities of the Northumbria Aran, but I was sure, sure, I would buy something in Vlad's, probably in Yowza! Whatta Skein!  That was the year almost every booth had a Color Affection Shawl on display.  The designer had used red in one of the pattern samples.  This was going to be easy.  So what did I end up with?  Yummy 3-ply in Denim, Wheaten and Deep Sea Jellyfish. It is my most favorite winter scarf.

This year?  Failed again, despite setting my sights a little lower.  I wasn't looking for sweater or afghan quantities of Vlad's in any weight this year.  This year I decided to finally treat myself to a replacement of the Knitspot  Les Abeilles Shawl I knit with one skein of Handmaiden Sea Silk in Ruby.  The one that it seems I alluded to only once and that briefly, and which came out approximately the size of a folded cowboy bandana. So yes, pretty much unwearable. I came to Stitches with a really unshakable plan to get two skeins of Vlad's in a wool/silk fingering weight so I could make the largest Les Abeilles that Anne Hanson had included in the pattern (800 yards).

I came away with two skeins of red Shiruku, a lovely 50/50 merino/silk fingering weight, just not in Vlad's.  It's called Scarlet Letter (so not my favorite 19th Century American Novel).  

And not for Les Abeilles. For that I bought two skeins of Seda Sock (also merino/silk fingering) in Petals from Grinning Gargoyle.

Maybe next year?

Saturday, August 01, 2015

Red Letter Day

Important Day here at Chez WoolGathering. We've been counting down for months (since Christmas, really), then for weeks, finally for days.  Now it's here. The Pirate turned 26 today.

It's always been all about the party with him, hasn't it.

Friday, July 31, 2015

Seems like a long, long time

Remember this? The Barn Raising Quilt from Knitalong?  I decided when the book first came out that it was the perfect summer knitting project. Modular and therefore portable.  Sock yarn (something I hadn't had an excuse to stockpile, not yet having discovered fingering weight shawls) and therefore posing no risk of lap-full of worsted on a hot July afternoon.

It wasn't that big a project.  It still isn't, at the gauge I got. No more than 42 squares. Okay, maybe 48. Or 56. Anyway, given that the squares max out at 43 stitches per side, that once you've got your stitch markers in place (and have remembered to us an odd one to mark the start of the round) the knitting is self-correcting, and that the knitting is simple stockinette in the round, they just don't take that long to knit. A day, a day-an-a-half, tops.

Why then, one might wonder, have I been knitting on this since 2008 and still have only 16 squares finished? That would be because I haven't touched it since 2010, when I jokingly estimated 4 more summers to completion. What happened is, alas, a sad, sad tale of indecision and hand-dyed yarn, not in that order.

The last time I wrote anything about the Barn Raising Quilt, I referred to a serious dyelot issue, but claimed a happy ending.  I was unduly optimistic. Had the yarn at issue been any other than the colorway I had chosen to base the blanket on (on which I had chosen to base the blanket?) (A preposition is a perfectly good word . . .), I could have coped. Had the first two dyelots of Claudia Handpainted Fingering in Walk in the Woods been close, I could have coped. When the third dyelot, which I had bought directly from Claudia at the Fine Points booth at Stitches Midwest, and which (I thought) I had minutley compared to a knitted square in the original dyelot, didn't match, I called it three strikes and hid the project deep-deep in frustrated and rejected project-land until this summer.

This summer I am feeling brave.  This summer I am feeling capable.  This summer I really, really needed something to distract me from the disaster that overtook my home in the name of kitchen renovation.  Chaos everywhere meant I needed to impose order somewhere, so the Princess and I tossed the stash with an eye to String Theory's Stash Sale.  We didn't make it (although we'll be ready for next year), but I found most of the yarn from the original Barn Raising.  I still have some absentees -- the second of the original Walk in the Woods comes to mind, along with the tiny stitch markers I used on the tiny needles -- but by laying out the finished squares and the remaining skeins, I realized that I can make a pretty darn nice looking blanket, even if I can't base it on the Walk in the Woods Dyelot of My Dreams.

I've suffered one slight set-back.  I had planned on three squares per 50g/175 yard skein of Claudia Handpaints fingering (now known as Addiction).  As it happens, I come up about 9 rows and a bind-off short.  That safety pin marks the start of the new skein of yarn.

Make that two slight setbacks - some of the colorways have been discontinued (Claudia Handpainted in Taupe, the Shibui Knits in Pagoda and in Dragonfly), others are lost in the stash (the dark blue, which may be Claudia Handpainted Antique Jeans). Some are both ( the Claudia Handpainted in Jungle).

Poor me.  I had to buy more yarn. Since I've learned my lesson from the Walk in the Woods disaster, I'm  not even going to attempt to match the absent yarns.

Instead I'm trying three completely new colors: Rubies Playing, Honey and Mushroom Hunting.  All Claudia Handpainted Addiction. The plan (I always need a plan, don't I?) is to knit one square of each color, see if any of them work, and go from there.

That, or I'll scout Fine Points booth at Stitches again this year and come away with a fourth Walk in the Woods dyelot.

Thursday, June 25, 2015

The Saga Continues

I bet you thought I'd be done with the kitchen by now. I know I did.

This was such a limited excursion into remodeling. We had to replace the (original, cast-iron, ca. 1920) pipes, but why install the replacements in the same place, the middle of the room?

 As long as we were putting new in, why not put them in in someplace that makes sense? Like an existing perimeter wall. Then just put things back. That's all. No big deal.  I figured 3, maybe 4 weeks, tops. Yet here I am and the carpenters are only just getting here to re-install the last of the cabinets, fit the last of the counters, oh, and fix that 8" by 30" hole in my floor, the one left when the pipes got pulled out.

It's all compromises at this point. Not being a big enough project to demand the full time and attention of any given contractor on any given day -- well, except for the plumbers who got to play with all that brand new copper pipe -- the whole take apart and reassemble bit has been fit in between other, bigger projects from other crankier more demanding, less tolerant clients than I am.  I'm holding hard to the knowledge that once this round is finished, I'll only have to get the drywall people back in to paint and we'll be done, at least as done as I'm willing to take the project for now.

Because there will be more. The floor looks awful.  That's the kindest thing that can be said for it.  It's all going to have to come out, if for no other reason than that it's higher than the rest of the floors. And while we do now know that there is actual hardwood flooring (probably maple, possibly oak) under the ½"+ layers of linoleum tile and sub-flooring, it's damaged and I don't know if it will be salvageable. Even if it is, the floor itself waves like a child's drawing of the ocean, partly due to the steel beam that runs beneath the middle of it.

In order to take the floor out, we have to uninstall the cabinets. The few that we removed amply demonstrated that even heavy duty carpenter's glue does not last forever.  It doesn't even last 30 years.  I'm quite sure that trying to shift the cabinets so we could get all the way down to the original floor would mean I wouldn't have any cabinets left. Since I have no idea what I want to replace them with, this would not be good.

So, all in all, I suppose it's not a bad thing to live with this new floor plan for a while.  I had been thinking we'd shrink the kitchen by a few feet and build in yarn storage a closet.  Their Father, however, has decided he likes the feel of a kitchen this size.

I'll just have to knit faster.

Which reminds me. There has indeed been knitting through all this. In addition to the Grown-up Walt, I have finished a Churchmouse Before and After Scarf in Handmaiden Sea Silk, and a Vitamin D Sweater in Cascade Hertiage Silk and I am two-thirds of the way through the Fine Sand Sweater in Madelintosh Worsted (yes, the original stuff, before it was called Tosh DK), in Tart. The sky has been so uncooperative that I haven't bothered with pictures.That, and I have no idea where the camera is.

Maybe I'll have found it by next time. Maybe next time I'll even talk about knitting.

Thursday, May 21, 2015

Phase 2

It's been a week of  peace here at Chez WoolGathering.  Well, I say peace.  No contractors since the stove hook-up. Well, I say no contractors.  Three came in to give estimates to repair the demolition done by water damage and the installation of the new pipes, but their visits were short and didn't involve any noise, dust, or relocation of major portion of our living space.  By my lowered standards, they don't count. Other areas of life burst forth like 5-year-olds denied recess, but most of that has now settled down, too.  Just in time for the next wave of contractors.

They're looking at tearing out between 64 and 100 square feet of my kitchen ceiling. It sounds like a lot, doesn't it?  I've done the math, though. Several times.  That's what an 8' to 10' square area comes out to.  That's a sizable chunk of my ceiling.  The kitchen itself only measures 15' by 19', with a cut out for the small bathroom hall.

It's surprising how disturbing it feels to sit here typing, listening to chunks of my ceiling hit the floor while the workmen mutter things like, "Oh, man." and "Look at that." I begin to wonder if more of my ceiling is coming down than expected, and I expected a lot.

I tell myself that this is the worst part.  Once this is over, we'll move on to putting things back together. Then the noise will, not abate, but at least change. From thunks and crashes to sawing and hammering and sanding.

Any guesses about what I've been doing to soothe my nerves and soften my flinches?

Ta-da! It's Super Walt. Or Walt all grown up. It's big.  Taller than the Lord Protector.  Almost as handsome as he is. 

Cast off.  Not really finished, because of all those ends to weave in - the curse of wide-striped blankets. Not washed/blocked yet either.  Sweet Georgia Superwash is a very round, tight, almost hard yarn to knit with, but experience has taught me that it will soften up considerably once it meets water.

Pattern: The Walt Painted Chevron Baby Blanket (substantially enlarged).
Yarn: Sweet Georgia Superwash Worsted in Nightshade (MC), Silver (CC1), Slate (CC2) and just a touch of Cypress, with a little bit of Madelinetosh Ink filling in where I ran out of yarn for the last of the narrow navy stripes. Fifteen skeins altogether.
Needles: Addi Turbos, US 9/5.5mm.

Maybe I'll start a sweater now, as long as the ceiling is still falling.

Friday, May 01, 2015

April was the cruellest month

Fair warning. No knitting.

I don't think I've written much about this, but I hate my kitchen. I've hated it since the first meal I prepared in it. 

Back when the building was converted to condo, someone decided to enlarge the kitchen. They took out most of the wall between the kitchen and the maid's room (circa 1920's apartments in my neighborhood pretty much all had a maid's room), then went on to appropriate a couple of closets. What they didn't do was move the plumbing. In the middle of this 20' by 15' kitchen, is a 3' by 6" floor to ceiling piece of wall that the pipes run through, remnant of the maid's room wall (remember I said "most"?). I assume they thought that by arranging cabinets and appliances around it, it would function like the ubiquitous island. Just to make things more annoying, the kitchen sink is on one side of this piece of wall, and the stove is on the other, with a set of cabinets boxing them in. The refrigerator is opposite the stove.

Think about that for a minute. The water supply is around the corner and across two cabinets from the U-shaped food supply and cooking area. I'm pretty sure, even back in the '70s the kitchen standard was the triangle, and if you couldn't achieve that, the L-shape.

Also, keep in mind this is a condo. No attic. No basement. No garage. Why would you give up two closets? I figure the original developer/owner/designer/whoever was deeply attached to inefficiency.

Something further to keep in mind - they didn't move the pipes. When were these pipes installed? 1920-something, right? No surprise that we have been plagued by water issues almost since Day One and Day One was a long time ago.

I have always planned to redo the kitchen. Shift the pipes to a different wall and lose the wannabe island. Move the remaining appliances into a triangle. Shrink the kitchen to restore the closet space into one big storage closet (I'm pretty sure I'll be perfectly happy with a 15' by 15' kitchen). I just thought we'd do it in a couple of years (we won't go into just how many "couple of years" it's been).

Fast forward to this April, when a waterfall of dirty water cascaded through my ceiling as the drain pipes finally failed. Factor in scheduling issues which meant the repair didn't start until last week. Consider further that three units are involved in the scheduling. I'm getting my kitchen reconfigured whether I'm ready or not.

Do I need to mention that I am not ready? Not ready for demolition. Not ready for holes in my walls. Not ready to lose my dining room to storing what had been in the cabinets the plumbing contractors had to take down to get to the pipes. Not ready for the most recent indignity: finding out that the floor tile didn't extend under the cabinets so now I have exposed sub-floor where I had imagined I'd put the kitchen table.

I could learn to hate April.

Saturday, March 21, 2015


I know I don't usually post on Saturdays.  Okay, I pretty much never post on Saturdays. I'm kind of irked that I've blown off the blog this month, though, especially since I need it to help me keep track of what I'm doing (i.e. how I've faked something).  And fine, first there was the frenzied shower knitting, then there was the week with meetings and assignments every day, then there were the days spent pulling life back together after the frenzied shower and meeting weeks.  Just because I know why it happened doesn't mean I like it.

I was made aware of this in particular last evening as I attempted to knit my way through Frozen - which, by the way, is the lamest thing Disney has come out with since Toy Story 3. ( It was the Pirate's movie night; he gets to pick the feature).  I picked up Knitting Rage and confounded myself when I reached the marker on the eyelet row I was working with a k2tog instead of a k1. KR being an improvisational piece, I just went with it.  The same pattern worked out for each of the 4 sections, so I decided to give up puzzling about it and call it a design feature.

Then I got to puzzle some more when I couldn't remember what I did next.  I was pretty sure it was the purl row for the garter ridge, except it was also an increase row and I didn't remember doing a pfb increase on the previous eyelet section.  Having just completely lapsed on the eyelet row, though, I bulled on forward only to find, when I compared the two eyelet sections, that I had indeed not done anything so complicated as purling and increasing on the same row. 

The rule for this blanket, then, is clearly Keep It Simple, Stupid (may need to rename the project, yes?).  Given how I 've been assuming complications, I evidently need to store the recipe somewhere.  I am, after all, going to be doing additional eyelet sections on this thing, not to mention future blankets.

All of which means you get an extra Saturday post.

Rectangle Blanket Recipe:

Math to figure out the difference desired between the length and width of the blanket. (This involves choosing yarn and needles.  A good person would swatch.  I am not a good person. Therefore I guess.)

Tunisian cast-on for the number of stitches set by the Math.

Knit first round.

Place markers for corners.  For reasons I'm not sure of, I started the project with kfb, place marker, kfb, so the first stitch of the row is actually the stitch before the first marker. I find myself cognitively dissonated by this every time I knit an increase row and may have to re-orient my mind so next time the increase before the first marker is the final one instead of the first one.

KFB on either side of each marker. Next time remember to try twisted yo or m1l and m1r increases.

Knit the first skein, increasing on alternate rows. 

Join next skein using Russian Join or Magic Knot.

Work eyelet sections  -
Knit an increase row. Purl the next row. Knit an increase row. K1 *yo, k2tog* to marker (or possibly K1 * yo, k2tog* to last stitch before marker, yo, k1), repeat for all four sections. Knit an increase row.  Purl next row. Knit 3 more rows - one increase, one even, one increase.  Repeat eyelet pattern. 

Return to stockinette knitting.

Which is as far as I've gotten. We'll see what happens next.